The presentation at the Boston Children’s Museum this past Sunday, for the Japanese New Year’s festivities went fairly well. Many many children were really captivated by the small joinery examples that I had for them to take apart and re-connect. Some of the adults were interested too, and I gave away lots of business cards – I ran out of them in fact. During the 5-hour demo, I assembled my irregular-splay sawhorse, then the shrine lantern and then proceeded to cut a timber joint. I’d like to thank my wife for all her help during the event, along with the museum staff who provided assistance at innumerable instances. Here’s a couple of photos from last Sunday that I would like to share….
Working on the cogged lap joint for the nuki:
The joint is called shachi-sen sao-tsugi, and is about 2mm or so from being drawn up tight in the above photo. I didn’t have enough time during the demonstration to cut the wedging pins, so I left it at that. In that type of joint it is important to leave room at the end of the rod tenon (about 3mm or so) so that the wedging pins can be driven in further at some later point, if need be, to accommodate shrinkage in the post. That’s one of the details they don’t tell you in some of the books, and it is, for that matter, a joint often mis-illustrated (as it is in The Complete Japanese Joinery for example).
On the shōgi project, the long-anticipated moment of final glue-up has begun. Today I cut some 40 wedges. I decided, after much humming and hawing to use Wenge for the wedges. Often one might choose a wedge from a contrasting wood, but I wish to de-emphasize the joinery in this case, since the through tenons on the piece are already enough pizazz, and the original was less elaborate anyhow. If I make the bench into too much of a ‘showpiece’ (lacking a better name to give it at the moment) then I risk making the piece too out of character with the rest of the building. also, Wenge is pretty darn hard and crush-resistant as it is, so finding a harder wood with which to make wedges was already problematic. I considered using Lignum Vitae for the wedges, but I don’t think it could be glued effectively with anything other than epoxy, and I wanted the joinery to employ a reversible glue. I considered Gabon Ebony as well, but couldn’t see any significant advantage to that wood. So Wenge wedges it is – definitely hard enough to od the job ,and should be very discrete in appearance. I should add that I’m using liquid hide glue in this case, which I hope will bond the Wenge adequately – in any case the wedges everywhere will structurally lock the piece together so the glue is really back-up. To take the piece apart later, if necessary, given the use of wedges, the only possibility will be to drill the wedges out, which would then require some patching work. Not totally ideal I guess. But at least the parts will be separable if it becomes necessary down the line.
After making the wedges, I got busy cutting the wedge kerfs in the cross-piece tenons using my handsaw, first one side:
Tomorrow I will trim the protruding tenons and their wedges on the leg assembly, and then can proceed with the main frame glue up. One of the nice things about working with hide glue is its comparatively long open time compared to most adhesives, which allows for relatively non-frenetic glue up to take place. That’s my hope at least!
I should have it assembled tomorrow. Stay tuned! On to post 17