This is the tenth post in a series describing the construction of a battari shōgi, a type of fold-up bench or produce stand which associates to Kyōto-area merchant’s houses. I’m constructing this to replace its worn-out predecessor at a Boston Museum.
Today was fairly productive- not compared, say, to the output of a 6 hour shift at an Ikea factory, but I managed to move a few things along all the same and felt like the day went pretty smoothly.
Today was the day where I got to spend a little time on a friend’s metal lathe. I haven’t worked on a metal lathe since I was 16 years old, but it’s like riding a bike pretty much, if you know what I mean. My friend George has a 1950’s-era Monarch lathe, which has some sweet Art Deco styling. It originally came with vacuum tubes inside which gave it’s DC motor variable speed. A pretty cool little unit – I want one!! It would look great in our kitchen, LOL.
Before setting off, I cut into the corners of the Lignum Vitae blanks as I was worried the arrises might tear off when the cutter on the lathe bit into the wood – this, I discovered later, may have been unnecessary, but it was entertaining to run the noko into the wood all the same:
The other task was to turn a section into the floating spindles which are to be used on the main hinges of the bench:
Well, I say floating, however they will be glued on one end to the bench long side rails. Maybe the glue will bond these materials, who knows?- it isn’t critical to the success of the connection, that’s the main thing.
The main spindles I turned so as to have about 0.008″ clearance in their sockets. It’s hard to know exactly how much space is really needed, however given the extremely consistent environment in the museum, and the minimal movement likely to be seen in Wenge and Lignum Vitae, I simply wanted a solid connection with minimal rattle. Here’s the spindle coming through the leg mortises with their inserts:
Here’s the fit of the floating spindle stock into one of the bolster mortises:
So, the next task on the list was to mortise the ends of the long side frame rails for the spindles, but a couple of things stood in the way of that objective. While I had the frame apart, I took the opportunity to groove the frame members for the floating panel, using my grooving machine outside on the sawhorse. It was a sunny day but well below freezing, so I bundled up and moved with, uh, alacrity.
Then I used a small trim router and edge guide to push the groove width out to the target, in this case, 0.610″. Here’s a look at the inside of the frame, at one corner, with the dado complete:
Next task was to trim the ends of the long rails flush with the short side rails. If I had a sliding table saw or chop saw with a sharp blade that would have been nice, however I made do with a jig and my router to trim the excess length (about 1/16″), finishing with a little scraping on that nasty Wenge end grain. The result was fairly clean:
It might also be apparent in the above pictures that I have chamfered the rails. This was done inside and out, which of course necessitated a Mason’s miter on the lower end, since there is no mitered return. I’ll try to remember to include a picture of that detail in tomorrow’s post.
Then I could turn to the spindle mortising (excuse the lame pun). First I marked out the center for the mortises:
I chose not to drill too far in with the Forstner, since they are really meant for use in a drill press and can wander slightly if worked in a hand-held drill. I could afford no wandering in this case. After the mortise was started, I used my router and a templet bit with top bearing to machine out the rest of the mortise:
That’s the 15-picture limit for today’s show. Stay tuned for more tomorrow, and thanks for taking the time to drop by today. Ready for post 11?